#Urdu poem cartoon free

This is perhaps one of the reasons why the general perception about РІР‚Вnew poetryРІР‚в„ў or РІР‚Вmodern Urdu poemРІР‚в„ў has not been very encouraging, he adds.

According to Dr Siddiqui, progressive circles took exception to it and declared that the so-called new poetry and new Urdu nazm were illogical, complex and obscure. They not only aimed at revolutionising the diction and style of Urdu nazm, but also introduced new imagery, new symbols and different allegorical expressions to depict the inner unrest and dissatisfaction. In the 1960s, something strange happened to modern Urdu poem: a group of poets and critics launched a campaign for РІР‚Вnai shaeriРІР‚в„ў or РІР‚Вnew poetryРІР‚в„ў. Rashid had to bear with the criticism of some circles that did not like the liberties these two poets were taking while commenting in their poems on certain aspects of our societyРІР‚в„ўs moral and religious values. It is a fact that modern Urdu poem had to face resistance right from the beginning when Muhammad Hussain Azad and Altaf Hussain Hali floated the idea of a new kind of poem in Lahore in 1874. Dr Aqeel Ahmed Siddiqui, for instance, has traced the genesis and history of Urdu nazm in his book Jadeed Urdu nazm: nazariya aur amal, from 1936 to 1970. Reader can learn about quite a few interesting aspects of these two genres that at times seem to be worlds apart. Recently, three books on Urdu ghazal and modern Urdu poem have appeared and by juxtaposing them the Today, modern Urdu poem is almost as popular as ghazal and there are many among common readers, poets and critics who prefer nazm to ghazal. Although younger than ghazal by a few centuries, it became so popular immediately after its inception in the 1870s that in the 20th century it threatened to knock the ghazal off the high pedestal that it has been occupying for about 700 years. GhazalРІР‚в„ўs popularity was contagious and even Hindi and Gujarati poets experimented successfully by composing ghazals in their language.Р”В«ut modern Urdu nazm (poem), too, was not far behind. However, despite some very influential and vociferous adversaries, such as Muhammad Hussain Azad, Altaf Hussain Hali, Josh Maleehabadi, Andleeb Shadani and Kaleemuddin Ahmed, Urdu ghazal continued to be as popular as ever and even today ghazal is one of the most popular genres of Urdu poetry.

Ghazal was severely criticised for certain limitations.

#Urdu poem cartoon free

Hence, they favour nazm, or poem, in its various forms, such as free verse, blank verse and prose poem. The enjoyers of the modern Urdu ghazal cannot agree more, but there are many who believe that ghazalРІР‚в„ўs diction, imagery, traditional metaphors and ghazalРІР‚в„ўs form itself do not allow the expression of modern sensibility beyond a certain point. Then she draws a parallel between Urdu ghazal and country music and western music, citing the example of the РІР‚СљheroРІР‚Сњ of the country music, who, just like the РІР‚СљheroineРІР‚Сњ of Urdu ghazal, is not the РІР‚Сљrealistic depiction of particular social conditionsРІР‚Сњ but an expression of emotional experiences which is РІР‚Сљnow entirely conventionalised for the modern enjoyers of the genreРІР‚Сњ. But of course I would never agree that it is РІР‚ВonlyРІР‚в„ў wordsРІР‚Сњ. I argue from a wealth of evidence that the classical ghazal is indeed a game of words. Pritchett, a well-known critic of Urdu and professor at Columbia University, writes: РІР‚СљTo me ghazalРІР‚в„ўs reliance on its wonderful networks of images and conventions makes it very clear that for most purposes, it is not derived from anything like actual social conditions of their personal and collective lives.